- DIAREY OF A MAN WHO VANISHED FULL
- DIAREY OF A MAN WHO VANISHED PLUS
- DIAREY OF A MAN WHO VANISHED SERIES
DIAREY OF A MAN WHO VANISHED FULL
It is a bizarre concept to be sure, that someone could be riding in a vehicle, often in full view of others, and simply drop out of existence or even seemingly evaporate into thin air, but this is a phenomenon that has happened an unsettling number of times. Among these cases some of the weirder are those that involve people who managed to vanish into thin air right out of moving vehicles, without any explanation and quite often confounding all attempts to grasp what has happened. Letí straka letí (The magpie is flying)Ģ2.The world of vanished people is a strange one, with myriad cases cloaked in mystery that seem to defy all attempts to solve or understand them. Nedbám já vcil o nic (I don’t care about anything else now)ġ9. Tahne vuna k lesu (Fragrance wafts towards the wood)ġ4. Boze dálný, nesmrtelný (Distant, immortal God)ġ1. Nehled’te, volecci (Don’t stare, little oxen)ġ0. Ztratil sem kolícek (I’ve lost the (axel‐pin)Ĩ. Hajsi, vy siví volci (Hey, you grey oxen)ħ. Tezko sa mi ore (Ploughing is hard for me, I didn’t sleep much)Ħ. Uz mladé vlastúvky (The young swallows are twittering in the nest)ĥ. Svatojanské musky tancija po hrázi (Fireflies are dancing over the dike)Ĥ. Ta cerná cigánka (That dark Gypsy girl)ģ. Potkal sem mladou cigánku (I met a young gypsy girl)Ģ. Lovemaking of the peasant boy and the gypsy girl in throbbing rhythms and lushly pointed chromaticĭiary of One Who Disappeared, by Leoš Janáčekġ.
The piano interlude after the seduction clearly depicts the Height of the work’s vocal sexuality comes in its central section, when the mezzo‐soprano and threeįemale voices come to seduce the boy. In the case of The Diary, this gives the melodies the ache and arch of sexual longing.
Modeled on the cadences of the Czech language and the voices’ tessitura is at the highest end of the As always with Janácek, the melodies are closely The music of The Dairy is Janácek at his most erotic. Voices and in the last nine songs, the peasant boy describes his reaction to the seduction and his taking of Interlude depict his seduction with the entrance on stage of the mezzo‐soprano and the three female
DIAREY OF A MAN WHO VANISHED PLUS
The first eight songs are sung to the peasant boy the central four songs plus piano Pieces divided into three parts, The Dairy is the tale of a peasant boy who meets and falls passionately in Song cycle: It is a dramatic song cycle that not only tells a story, it tells a story that is all but staged. Scored for tenor, mezzo‐soprano, three female voices, and piano, The Diary is much more than simply a Premiered in Janácek’s hometown of Brno in 1921. He then took up The Diary again and completed it in June 1919 and the work was then However, Janácek was, at the time, deeply immersed in theĬompletion of his rhapsody for orchestra Taras Bulba and he set The Diary aside until this was finished in With Kamila Stosslova in late spring 1917. The initial inspiration for the cycle was Janácek having met and fallen passionately in love
DIAREY OF A MAN WHO VANISHED SERIES
The dramatic song cycle The Diary of One Who Disappeared by Moravian‐Czech composer Leos Janácek,īased on an anonymous series of poems published in a Czech newspaper, was written over the course of Joining the singers is Ryan Opera Center pianist Madeline Slettedahl. Told in 22 songs, the piece tells the story of love so powerful it overrides social boundaries. Ryan Opera Center tenor Eric Ferring along with ensemble members will perform Janáček’s song cycle Diary of One Who Disappeared.
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